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A young Indian couple, both from wealthy backgrounds, find themselves caught up in the 1940's Indian revolutionary movement against their families whom are under the thumb a sadistic British general.

Download Formats: M4V, AVI, MTS, MKV, M2TS, 3GP, ASF

original title: 1942: A Love Story

genge: Romance,Action,Drama,Musical


imdb: 7.9

duration: 2h 37min



keywords: british, revolutionary, india, freedomfighter, 1940s, racialslur, shottodeath, footchase, pillow, fathersonrelationship, patriotism, patriot, yearintitle, fire, violence, shotintheback, bus, manhunt,

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In 1942 the British Ruled India, a time when people were either working for the British or rallying for underground meetings and protests against them. Amidst this background, Narendra alias Naren Singh, dared to be different, as he did not fall in either of those categories - he is in love with Rajeshwari Pathak. But their romance is not an easy one, for Naren comes from a wealthy family, and Rajeshwari is poor. Then there is the fact that while Naren's dad, Diwan Hari Singh, is an informer for the British, awaiting a royal title, Rajeshwari's dad is actively involved against the British. Now Naren has to chose between his dad's hatred for the revolutionaries; and his love for Rajeshwari - which may make him a revolutionary himself, and set him up against his very own father. In 1942 India, Naren, the wealthy son of a local politician loyal to the British crown, romances Rajjo, the daughter of an Indian freedom fighter. Both become caught up in the increasingly violent revolutionary program when Rajjo's father and her uncle plot to assasinate a sadistic, visiting British general determinted to keep Indian under British rule. 1942: A Love Story, stays unfaithful to its name. Its neither a love story, nor does it contain the factual underpinnings surrounding the events of 1942. But I digress. If those were the only two shortcomings (albeit major) of the movie, it would be bearable. Reality, however, sets in. After watching this sensationalist and inane film, I must confess: I've had more fun watching grass grow on my lawn. And my lawn is dead.

The film attempts to draw you in to its hero, Narendra Singh (played by Anil Kapoor), the son of a wealthy lord of the era, Diwan Hari Singh, who also happens to be an obtuse sycophant of the British Raj. True to fashion of Hindi cinema, there is (predictably) the anti-Raj, aka the freedom fighters. The daughter of one of these fighters, Rajeshwari (played by Manisha Koirala), catches the eye of Narendra, and he is smitten by her beauty. He immediately falls in love and begins his pursuit of her. Mind you, all of this happens in the first five minutes, and it only deteriorates from there.

The hero's propensity to bring calamities to those around him is befuddling (I affectionately started calling him Forrest Gump). In an attempt to portray the yearning and desire he has for his love, the film misses connecting with the audience. Instead, it portrays him as a bumbling idiot who, in a blind frenzied search for a girl he has met for only five minutes, has no hesitation in breaking promises (he states that he will not reveal the identity of the freedom fighters, yet immediately afterwords reveals their identities to his mother) and wreaking havoc (numerous times he foolishly pursues Narendra, only to further expose her identity) on those around him.

Furthermore, much like the hero, the other characters in the film lack dimension and also fail to connect with the audience. In a desperate attempt to draw the film together and make some coherent sense of the madness, sensationalism is thrown into the mixture. And not just any sensationalism, but "Jai Hind" at that. What better way to prey on the emotions of a stupefied audience than to bring in a revered chant of the freedom fighters of the era. The sum of its tattered pieces do not add up to a congruous and solid movie. The plot line is unbelievably predictable, and the acting sub par, sans for Manisha Koirala, who churns out a half-decent tear during the final scene. Sadly, the audience won't shed a drop when this waste of celluloid hits the can. In reality, this movie is more akin to the tripe you find at the butcher's block in Albertsons.

So, should you watch this film? If for some reason there is an extra three hours in your life that is expendable, by all means, go for it. But if you're looking for a movie that has coherency and can grip its audience, you'd be better off looking out your window and at the lawn. As an ABCD (An American Born Confused Desi) I wanted to make my first Bollywood hit a memorable one...and that this movie was!

While keeping to a simple plot and common theme of love in a war-torn country, the struggles are just and portrayed more seriously than other "love during war" films...

I won't give away the terrific ending, but I will tell you that it is a happy one, and though it is common for Hindi films to have a happy ending, a love story with a happy ending never gets old, does it not?

The only thing non ABCD'ers will find odd/curious is the fact that the movie frequently took a "break" for the characters to lip-sync a song about how they felt. I liked it, but for the first five seconds I was like, "Why are we having a music video in the middle of the movie??"

Overall I give this movie 5 stars out of 4. Is it because I love any Bollywood film? Is it because I'm an ABCD? Is it because I'm a hopeless romantic? I don't know, but I highly recommend you see 1942: A Love Story!


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A woman murders her boyfriends and steals some diamonds he has smuggled. She gets found out though, and locked in a prison with an evil sadistic lesbian warden. She immediately sets about ...DOWNLOAD (Mirror #1)














































A woman murders her boyfriends and steals some diamonds he has smuggled. She gets found out though, and locked in a prison with an evil sadistic lesbian warden. She immediately sets about planning her escape with some of her fellow inmates, but the plans are even more difficult than they seemed when set in motion. The most notable thing about HELL BEHIND BARS, a typically sleazy Italian offering in the women-in-prison genre, is the presence of director Sergio Garrone. Although he never hit the big time, Garrone was responsible for the atmospheric spaghetti western DJANGO THE BASTARD in 1969, before moving into writing and directing exploitation flicks during the late '70s and early '80s. Garrone seemed to have a particular affinity for captive women and this is his penultimate work as both writer and director.

The direction of this film is far better than it has any right to be. Many of the scenes are well framed and stylish looking, reminiscent of a '70s Italian crime flick. There's some effective music and a sub-plot running over the film's duration that takes place entirely outside of the prison, charting the misadventures of some gangsters. I love how Garrone shows us that this is a coastal prison by dubbing in the sounds of seagulls and waves without ever actually showing the sea once.

The women-in-prison stuff is quite sleazy and we know this from the off with a particularly unpleasant scene of torture against one particular woman. From then on in, the story follows the familiar pattern, although it does have a stronger plot than some as inmates strive toward an ultimate goal. There are cat fights, shower scenes, lesbianism, a horny male guard, and a sadistic warden, all played out much as you'd expect. There isn't enough plot to sustain the running time, however, so there are some repetitive softcore couplings that seem to go on for an age which are just there to pad out the running time. They had me reaching for the fast-forward button.

The main role is given to Ajita Wilson, a transsexual actress who made a successful career out of being a woman in a series of erotic and pornographic films made in Italy. I can't say that Wilson is attractive, but she does have a commanding presence and is the best actor in the film. Still, some of the supports aren't too bad; Rita Silva's warden is thoroughly despicable and Linda Jones, who apparently had a bit part in STAR WARS, is my favourite character, a tough inmate who lives by violence. Speaking of which, the violent content ranges from the absurd and slightly amusing (one character drowned in the sewer) to the surprisingly vicious – a bloody throat stabbing which comes out of nowhere and is one of the grisliest I've witnessed. Still, although there is some talent involved in this, it's still a lacklustre, predictable, and unoriginal offering in a genre best forgotten. 'Any hole's a goal' must be the motto of young prison guard Robert, who spends much of his time in this sleazy WIP flick romping with the sadistic bisexual warden (Rita Silva) and inmate Conchita, who has suspiciously large hands. Mind you, it's slim pickings for randy male guards in this particular women's jail, where the majority of the prisoners are rougher than a rusty bastard file, director Gianni Siragusa's budget clearly not stretching to the hiring of quality bimbos.

Conchita (actually played by transsexual sexploitation star Ajita Wilson) is thrown into prison shortly after stashing a fortune in stolen jewels in a bank's safety deposit box. Naturally, she is desperate to escape and enjoy her newfound wealth, but with an angry crime boss keen to get his gems back, and a warden who rules her jail with an iron fist, things aren't going to be easy.

Written by Sergio Garrone, who also penned Siragusa's other equally lamentable WIP film Hell Penitentiary, this crap-fest consists of a succession of distinctly unerotic soft-core couplings, punctuated by the cat-fights, shower scenes, and mild torture expected of the genre. It's incredibly repetitive and extremely boring to sit through, with the slim plot about the missing jewels and the daring escape doing very little to alleviate the tedium. Whatever you do, don't consider a double bill of Hell Behind Bars and Hell Penitentiary: nobody deserves that!


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While the Civil War rages on, President Abraham Lincoln must undertake an even more daunting task - destroying the Confederate Undead.

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original title: Abraham Lincoln vs. Zombies

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imdb: 4.6

duration: 1h 36min

tags: He emancipated the slaves... he saved the Union... and slaughtered the undead!

budget: $150,000

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While the Civil War rages on, President Abraham Lincoln must undertake an even more daunting task - destroying the Confederate Undead. As Abraham Lincoln labors over the Gettysburg address, the importance of which he is fully aware, he learns that a menace from his past has returned, threatening to tear the already fractured nation to pieces. He must journey behind enemy lines to face an foe far more fearsome than the Confederate army: the walking dead. What in the world did i just watch?? This movie Abraham Lincoln Vs Zombies is horrible.. I never heard of this movie until i saw it today for the first time and once i saw it, man does it suck.. You know that from 1-10 on my it stinks o-meter i do flat out give it a 10.. This movie reminds me of Resident Evil with the Zombies or the walking dead in it and the Resident Evil movie and the walking dead movie we all know is far better than this crock.. This movie is like Resident Evil and the walking dead Meets Abraham Lincoln.. I have never seen the movie trailer for this movie ever nor have i seen it on TV commercials, internet, or any kind of magazines as well the movie theaters and Itunes.. I'm very disappointed in the movie for i was hoping it would be good and my hope crashed for how bad the movie is.. I'm hoping that the next time someone has the idea on making another movie like this and goes for it should actually get the critics advice first on what to have in it and what not to have in it in order for the movie to be successful instead of feeling like everyone is reading from the script. I'm wondering if these actors and actresses have been heard of or if they are just flat out desperate for we all know we have never heard of these people.. Thanks and have a great day.. This is all i have to say.. Goodbye.. Abraham Lincoln vs. Zombies: Emancipate This!, cries Abe as he beheads a Zombie!

1818, the young Abe's family is stricken by a Zombie Outbreak, leaving him the sole survivor.

November 1863, a lone survivor of a raid on a fort behind Confederate lines is seriously ill but talks of cannibalism and the dead rising. Knowing the truth Abe leads a team of Secret Service agents to deal with the Zombies.

Reaching the Fort, the gallant band finds that it has some interesting inhabitants: a young Confederate corporal named Pat Garrett; General Stonewall Jackson; a 12 year old Teddy Roosevelt; Abe's Ex, Mary Owens. Even John Wilkes Booth is part of Lincoln's team as a double agent.

Made on a tiny budget ($150,000) in comparison to Abraham Lincoln: Vampire Hunter and it shows at times. It also lacks that films vein of humour but it plays around with history to produce an entertaining story line. 6/10 No.


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A Beagle must use his newly-bestowed superpowers to defend Capitol City from mad scientist Simon Barsinister.

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A bomb-sniffing dog is fired from the police force for a high profile mistake. That night Cad (Patrick Warburton) dognaps him, Cad works as a henchman for Simon Barsinister (Peter Dinklage) a mad scientist, who injects him with an elixir. The dog escapes, but now has superpowers. He's adopted by Dan Unger (James Belushi) a security guard - an ex-cop, who's a widower with a moody teen son, Jack. While Barsinister and Cad plot to catch him and take over the city. The story begins with a normal, bumbling everyday watchdog beagle named Shoeshine who gets exposed to a substance that gives him the powers of a superhero. And not to mention the ability the speak during an accident. He is adopted by a security guard - an ex-cop, who's a widower with a 12-year-old moody son, Jack Unger. Shoeshine uses his superpower to protect his love and the citizens of Capitol City from the evil Simon Barsinister. Underdog dedicates himself to good, quickly becoming revered as a superhero, but ultimately it will take the combined efforts and understanding of Underdog, Jack, Dan, Molly, and Polly to defeat Barsinister and save Capital City from destruction. Underdog is the newest breed of TV-shows-turned-movies (Alvin and the Chipmunks is coming soon), and it succeeds far more than it has any right to. Jason Lee seems to have an amazing amount of fun, and the other cast members look like they're having a blast. Underdog ends up being loads of fun, especially for a little children's movie. It has everything to satisfy the youngsters, and it is full of grown-up jokes and humor; it's short and sweet, and never drags itself out to much, which seems to be the case with other films in the genre (Garfield: The Movie, anyone?) Underdog is directed by Frederik Du Chau, who also directed the forgettable and dull Racing Stripes and the underrated animated flick, Quest for Camelot.

After seemingly failing at everything, a beagle named Shoeshine obtains super powers after a lab accident. He befriends a young boy, who helps him come up with a secret identity, and the dog eventually becomes the superhero Underdog. As Shoeshine learns about his new powers and accepts his abilities, he must face Dr. Barsinister and his evil henchman, Cad, to save the town after they become obsessed with obtaining his DNA.

The acting and the quirky humor are the best parts about the film, although some of the jokes don't really stick. There are several fun gags and characters scattered throughout the film, although Underdog himself clearly takes center stage. The special effects were also superb, and the voice acting (and normal acting) is perfect. While it does have some similarities to many other films in the genre, it does things in such a fashion that everything seems new again! Overall, Underdog was a very cute and enjoyable movie. It won't be winning awards or anything, but it was a very fun summer movie that kids and adults will like. My expectations were pretty low, but the movie surprised me with its smooth direction, a great cast, and pretty good story. While it wasn't as fleshed-out as it could have been, they might have done this intentionally. I think I smell a sequel in the near future, and I would welcome it with it open arms! This premise showed a lot of promise, and hopefully the sequel could improve upon the original, although it is great as it is. Underdog was a great family film, although far from being perfect. 7/10 I enjoyed this movie about a superhero beagle in a sweater. It has its share of problems. There are parts of the story that aren't exactly clear and some of the humor isn't very funny, but when it works, it's very enjoyable, and it ends on a strong 3rd act, featuring some cool flying German shepherd dogs. Jason Lee is great as the voice of Underdog/Shoeshine, who is of course the most lovable character in the film. It's hard to fault anyone for making a film about such a cute pooch. It's not "cool" like those other superhero films, but it certainly fills a niche. The CG is at times pretty amazing. The talking, flying, super-heroing dogs are about as believable as their going to get. And on a whole,the film is pretty watchable. In fact, I was bored and ended up watching it 3 times. Made for viewers old enough to appreciate a talking pooch but too young to read or write about it.


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Two NYC cops arrest a Yakuza member and must escort him when he's extradited to Japan.

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Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. In Japan, however, he manages to escape. As they try to track him down, they get deeper and deeper into the Japanese Mafia scene and they have to learn that they can only win by playing the game the Japanese way. Two NYC cops arrest a Yakuza member and must escort him when he's extradited to Japan. Black Rain is a special movie that I was lucky to see on the big screen. I thought of KenTakakura as an A list actor with extraordinary talent for looking honorable since he is true to himself In my humble opinion. Lets face it in Japan Ken Takakuras character was the hero while the Characters of Douglas and Garcia were viewed as attempted invasions. In film most good guys have an oppo. I really like the Pollack directed sleeper Yakuza film Ken Takakura was in although I haven't seen it yet. Mr Baseball proved that this Thinker who is a Father to me has staying power on the world stage and the big screen theaters around the world. I read that Ken Takakura has more than 180 loyal Movie cast affectionados. Pardon my bad English spelling please. Sometimes I joke that I am watermarking to prove that I am not a robot. I am proud of my nickname cyborg though and I like to think of myself as important to my Creator. The Black Rain movie soundtrack is quite good. My previous Black Rain review was deleted sadly. The band Undercover sang They try to blame the Created but he cannot be faulted parahrased. At first I tried to speek great truths then great truisms, now I just try to prevent major loops in my thought process. I had so many people tell me I was nothing only my enormous ego from on high kept me believing I was smart with a good personality and amazing analytical ability and deductive reasoning. I would picture complex if then latticeworks of reasoning. May the Creator always favor the Japanese, their genetic codes and their friends worldwide. Thank you to IMDb for supporting the kind of freedom of speech that Ken I believe, Jack F Kennedy and I support. Support IMDb. Well-photographed from New York to Tokyo, "Black Rain" is yet another credit to the skills of Ridley Scott. The plot follows New York police officer Nick Conklin's pursuit of Sato, a young Japanese mobster who murdered two of his own rivals right in front of Nick (Michael Douglas). Scott handles the action well, and balances well with the drama.

Ken Takakura is very good as Conklin's Japanese partner, while both Douglas and Andy Garcia are convincing in the lead roles. Hans Zimmer's music caps off this very enjoyable, and different (thank goodness) action film.

Tuesday, May 19, 1992 - Video Ridley Scott directed this 1989 feature, and while there's a lot of his characteristic atmospherics—smoke, fog, neon, yellow light, rain, and squalor—to fill all the dead spaces, he's still a long way from the splendors of Blade Runner. The script by Craig Bolotin and Warren Lewis doesn't give him or Douglas very much to chew on, apart from a lot of unpleasant xenophobia about Japanese gangsters, and the plot never gets far beyond the formulaic and the forgettable, hammered into place by Hans Zimmer's pounding and numbing score. It's part of the bushido code of conduct that the ancient samurai and the yakuza gangsters adhere to. During the days of the Japanese warlords and the samurai, a dishonorable act carried the punishment of severing one's own finger or part of. The idea was that a samurai that was missing part of a finger or multiple fingers wouldn't be able to wield his katana (samurai sword) as effectively. The Japanese word for the act is yubitsume. On August 6th and 9th, 1945, during World War II, the United States dropped atomic bombs on two Japanese cities. The first, on August 6th, was the western city of Hiroshima, which had been a major Japanese shipping port and industrial production site. The second bomb was dropped on another western city, Nagasaki, three days later when Emperor Hirohito refused to surrender. Following the devastation of those bombings, Hirohito ordered his country's surrender, ending the United States' war with Japan.

Sugai's involvement in this chain of events is that he lived in one of those cities -- which city is not revealed -- as a boy and was there when the bomb was dropped. As he states "I was 10 when the B-29 came. We were underground for three days. When we came up, the city was gone. Then the heat brought rain; black rain." What Sugai is suggesting is that the pollution from the atomic fallout had somehow turned the rain black. Sugai goes on to say that following the war American values were forced on to his people by the United States, who had agreed to aid in the rebuilding of Japanese society due to the destruction caused not only by the atomic bombings but also from the many other non-atomic bombings of other Japanese cities during the war in the Pacific. The United States became Japan's occupying force following the war and Japanese citizens like Sugai felt that their cultural and societal identity was slowly being stolen from them as a result of such policies. Sugai's ultimate plan is to flood the American economy with counterfeit money and reap the benefits of such a crime.


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